Skip to product information
1 of 33

Italian Renaissance ‘The Three Ages of Man’ Tricephalic Capital c.1460-1500

SKU: D3GDX

Regular price Sold
Regular price Sale price £14,500.00
Shipping/delivery quotes available at request.

UK Mainland Delivery

We offer secure doorstep delivery using our trusted fine art and antique couriers, ensuring your item arrives safely and with care.

At checkout, please select ‘Pick up’ (not ‘Ship’) to complete your purchase.
You can either:
• Proceed with payment and we’ll send a separate link for delivery, or
Contact us first for a quote, and we’ll send you a custom order link with delivery included.

Placing items in specific locations can be arranged on request — additional costs will apply.

Contact us for a quote

International shipping

International delivery, crating, shipping, and insurance can be arranged on request. We’ll provide a quote based on your needs—additional costs will apply and are payable directly to the shipping company.

You’re welcome to use your own shipping agent, or proceed with our recommended agent using the quote we supply. Payment is made directly to the shipping company.

Alternatively, select ‘Pick up’ at checkout to:
• Collect the item yourself
• Use your own shipping agent from our UK showroom
• Or simply complete your purchase

Contact us for a quote

An exceptionally rare and unique Tricephalic Venetian Renaissance capital, dating to c.1460–1500, portraying 'The Three Ages of Man'. This extraordinary piece, carved from limestone, vividly represents the three stages of human life through distinct stylistic interpretations. Youth and innocence are depicted in a naive Medieval style, symbolising simplicity and unformed potential. Adulthood and lust are brought to life in the form of an animated horned satyr, drawing inspiration from the resurgent interest in Roman Classical art during the period. Old age and wisdom are rendered with remarkable realism, portraying a contemplative, bearded elder embodying depth and experience.

The piece invites meditation on the transience of human life and the ideals of virtue. It also stands as a testament to the artistic transition from Venetian Gothic to the early Venetian Renaissance, demonstrated in the shift from naive to realistic portraiture across its various faces. This is an original and highly accomplished work, attributed to a master sculptor, possibly connected to the workshop or influence of the renowned artists Bartolomeo Bon and his father, Giovanni Bon.

  • Width: 23 cm (9.06″)
  • Height: 24.5 cm (9.65″)
  • Depth: 25 cm (9.84″)